You didn't counter my argument, and it seems you have misinterpreted it. In this scenario, I'd not go to a gallery if they were treating its artists like shit, not just because the artist's work is crap as a result. If people running the industry catch wind that people aren't watching their films because of the treatment of their contract workers, then change might happen. Industry heads don't listen to their workers unless they're politically organised. Profits are all they care about. Imdustry heads are everything thst is wrong with Hollywood. Boycotts substamtial enough to have an effect I know are highly unlikely because consumers don't give a shit about the labour that goes into their products anyway (not just restricted to the movie industry). Information on the chain of supply is hard to often find in the first place.
Like I said, it is good you are able to experience movies in the way you say so that you can glance over bad bits. Like a book or a game, I experience the medium as a whole. It is a different format to an art gallery. If my immersion is ruined in parts, the entirety of the film suffers for it. If there is something particularly great about one feature that I would miss, I could always find it later.
Like your video says, these exploited artists will always be artists. They have the will to pursue their work literally to the ends of the Earth apparently. When one door closes they'll pursue other doors. Help them pursue doors thay don't treat them like crap :p.
Like I said, it is good you are able to experience movies in the way you say so that you can glance over bad bits. Like a book or a game, I experience the medium as a whole. It is a different format to an art gallery. If my immersion is ruined in parts, the entirety of the film suffers for it. If there is something particularly great about one feature that I would miss, I could always find it later.
Like your video says, these exploited artists will always be artists. They have the will to pursue their work literally to the ends of the Earth apparently. When one door closes they'll pursue other doors. Help them pursue doors thay don't treat them like crap :p.
. I try to do what I think is right, and I also recognise I do so inconsistently 
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. Generally a good production tends to be internally consistent though (including with aesthetics), so one can stay immersed. A good director would nip a saturation of gaudy visuals in the bud too. Alarm bells ring when there is evidence as to otherwise.
