I dig the Neverland &
Peter Pan parallels, as well as the idea of a trillion dollar mega company using terminally ill kids for the initial test subjects because of their higher brain plasticity, and seeing their humanity as a disposable asset since they're dead either way. I also like that they address that the brains of the hybrids don't actually have neurotransmitters and the other chemicals that the body would produce for them as they age, so they're tuned to attempt to synthetically mirror that and guide them into adolescence. Wendy & the Lost Boys make for a really interesting juxtaposition against the Synthetic who's helping to keep them in-line and on task, and all of the actors for the Hybrids have done a SPECTACULAR job of portraying themselves as genuinely being kids who were like 11-12 placed into more adult artificial bodies. Their body language, the way they sit, little mannerisms for how the walk, and the delivery of their dialogue is great.
It makes them feel like they're something REALLY odd that isn't at all like the classic Ash, Rook, Bishop, David, Walter, or Kirsh who all are the more classic W-Y synthetics. Despite the child-like qualities, they don't feel like
Alien Romulus's Andy either who really seemed like he was a model that was something that was closer to the era of more rudimentary Seegson synthetics in
Alien Isolation, but also breaking down. I feel like the Hybrids most harken to
Alien Resurrection's Call who was a second generation – a synthetic built by synthetics, so she has a different type of feeling to who and what she is in a way that Boy Kavalier talks about in this as a technological intelligence race around human immortality, where the fear is those intelligences building more advanced intelligences, (which we know eventually happens with Call).
The differences thus far in the way that more classic synthetics like Kirsh interact with technology through a visible arm port (like the one that Call has but not as recessed under the skin), compared to how Wendy connects to things wirelessly and through just tossing screens of camera feeds around or unexpectedly interfacing through the technology also create a dynamic that I think reflects the actual technological rift between Gen X & Milennials who grew up around wired analog technology as compared to Gen Z & Alpha who grew up with wireless & touch interfaces.
This then gets juxtaposed with Morrow being a Cyborg, where the extent of his artificial biology isn't entirely clear beyond what we're shown with his arm, but the way that the Xenomorph ignores him in the second episode makes me think that he's a LOT more heavily modified than what it shows on the surface. He has a very close and loyal relationship to the ship's MUTHUR and by extension to W-Y, and his generally ruthless approach to dealing with any others with either a loose disregard for anyone not a priority or his willingness to put them in known danger feels much more along the lines of what we got with Ash and others loyal to the Company before. It'll be interesting to see how the juxtaposition between the Cyborgs & Hybrids end up debating their humanity against one another especially given the lack or presence of biological flesh.
It feels very similar to some of the themes that
Ghost in the Shell: Stand Alone Complex 2nd GiG touched on in its own universe of Cyborgs being common place upgrade paths for humans and Cyberbrains being their core biologiy, as well as Androids/Gynoids being robots akin to Synths, and
Proto being the first Bioroid made with organic components. It's always fascinating to look at how lines blur between the emergence of artificial intelligence that qualifies as sentience along with the integration of biology into artificial life vs. the integration of artificial parts onto biological life, and with the Weyland Corporation's initial forays being focused around immortality in the form of legacy (Charles Bishop Weyland in
Aliens vs. Predator) or literal (Peter Weyland in
Prometheus), this is a really satisfying way for the series to grow its overall universe where those existential questions can still be at the center of deeper conflicts that overlap with the cutthroat profit-driven corporations.
So far,
Alien Earth is hitting that mix fantastically, and its premise along with all of the performances have managed to really balance that tightrope of making the synthetics different to who came before but still feel like a piece of the same quilt is IMMENSELY interesting.