The Twilight Mexican
Ex-SeeD-ingly good
- AKA
- TresDias
My egregious offenses? I defend Before Crisis and Crisis Core because for spin off games of limited scope within a smaller medium (a damn cell phone and PSP) they're alright. If these were stand alone, or full console RPGs like FFVII or FFXIII, no shit would I be mad at them.
Think that's going to be enough to get you into Heaven? You'll be kicking it with me in Hell, foo'.
Mako said:I think that's your problem with evaluating these two games (aside from your almost anal attention to continuity detail ). You hold them to the same standard as a full fledged FF title.
As far as their gameplay goes, they're fine. It really is just the continuity clusterfucking that makes them such shit.
Mako said:Their imperfections and changes are more than obvious and stupid, but those changes on their own aren't enough to make me hate them and throw out whatever positive contributions and qualities they may have in their own right. I look at more than just that.
I look at more than that too, but I'm not going to pretend they didn't screw the chocobo on what they did do wrong.
Mako said:How the fuck can you even justify saying the damn movie is better than the book, when you jump down the throat of Before Crisis and Crisis Core, for changing shit and getting the continuity wrong of the original game? That's not just crazy, that's schizophrenic!
The "V for Vendetta" film obviously no more exists in the same continuity as the graphic novel than the "X-Men" films exist in the same continuity as the comics. It's an alternate reality, so you're free to do whatever.
Mako said:Well, at least we agree that the body of the argument is dead, and now a spiritual remnant is all that's left.
What's that girdling your Lifestream right about now?
Mako said:....Somehow, I'm a bit dubious of that claim.
He had a good sense of humor.
Mako said:Oh gtfo. She didn't even make a convincing Bulma. I have no fucking clue who she even was, but she sure as shit wasn't Bulma.
Super sexy Bulma in an alternate reality.
Mako said:And her shit characterization was only compounded by the fact they couldn't even bother giving her blue fucking hair. Because it's not realistic. In a fucking Dragonball movie. They're fucking worrying about the realism of BLUE HAIR...in a DRAGONBALL MOVIE. Do you not see the stupidity in such a statement and decision?!
They gave her blue highlights. And she was gorgeous. And you're complaining.
Gtfo off my Internet.
Mako said:....Your admittance to your desire of polishing a turd kinda scares me.
I was talking about Emmy, you douche.
Mako said:You can have a pulp, comic atmosphere without aging the celluloid and making the filming technique and technology regress dude.
I don't feel like they did that very well, honestly.
Don't get me wrong, I like the movie. There are parts of it I enjoy quite a bit.
But if you've read the comic, the film has absolutely nothing to offer you beyond its opening credits sequence -- which was fucking awesome. And also the only time the movie used film's own strengths to tell the story.
Mako said:I thought the story was very nuanced and it certainly didn't back down from the themes of the original graphic novel.
Giving them Matrix moves wasn't missing the point by miles? Ozymandias should have been the only one moving like that.
Really, how many people who only saw the film got the impact of him catching the bullet? They'd been watching people move out of the way of gunshots throughout the film already.
When you read the comic and saw that happen, it truly caught you off guard. You would not have expected it. It was superhuman -- but, then, so is most of what the entire cast does in the film.
Mako said:Its like you're nitpicking here.
Matrix moves is not nitpicking. That's just questioning whether Zack Snyder had any clue what he was doing at those points.
Mako said:How the hell can you defend fucking Dragonball Evolution, and then needle the filming technique of Watchmen? Where the hell are the priorities?
On doing shit right.
"Dragonball Evolution" did what it should have done. It needed to be lighthearted, a bit campy, and largely forgettable.
"Watchmen" needed to stop slowing down the camera during fight scenes to emphasize how fucking insanely cool these people are even though one of the book's primary purposes was to emphasize how not so awesome and beyond the normal person these superheroes really were.
Mako said:Your misrepresentation and reduction of the well chosen and appropriate soundtrack angers and confuses me.
I like the soundtrack. I think they did a great job with it on the whole.
Credits music sucked, though. And the music you play in the credits is, to me, as important as the music you play anywhere in the film. The music you select for the credits is basically you telling the audience how to feel about what they've just watched -- it's the feeling people take with them as they're walking out of the theatre.
You fuck that up, you've fucked up the whole damn thing.
And playing "Desolation Row" -- especially the MCR version -- as the denouement to millions of people being murdered for the sake of averting the deaths of the other billions still alive -- who have now been unknowingly united in a lie by the single greatest choice of "needs of the many before the needs of the few" ever made -- doesn't work for shit. The mood is completely wrong.
Where's some "Tomorrow, Wendy"? I don't care if it came out a few years after 1986 -- something like that would have been perfect.
Mako said:It was a stylized, and fantastical Earth, but Earth all the same. You can clearly see themes of the 80's and 90's in the Dragonball setting. Guess Dragonball Evolution fucked up in that instant too, missing the nuanced world setting of the original manga there.
Again, alternate Earth. Very alternate.
As far as being stylized and fantastical goes, I actually thought they did a really fine job setting up the Earth they did for DE. Was it different from that of the manga and anime? Sure.
It was something all its own, but it still met the standard for being simultaneously alien and familiar.
Mako said:There are some things novels and graphic novels have that a film can never articulate or depict. If a person's preference for those traits and nuance are what they look for most in a fictional story, then by the very nature of their tastes, a movie will always be secondary to what they read, in terms of memorability and enjoyment. Movies have more avenues of depicting and illustrating a good, well done story, but books and graphic novels can't be completely made obsolete or inferior by that same logic.
I don't disagree. But I am saying that the idea of a FFXII manga -- when you already have a great game that does more than the manga could ever hope to do -- is fucking stupid.
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