Don't remember if this was already mentioned but I missed Mr. Wallace's King Kong gesture.
I only miss his Jeremy-Irons-in-the-
Dungeons & Dragons-movie-big gestures because they didn’t fully toss his physical goofiness in Remake. I get whiplash from Barret’s body language, it goes from powerful planted stillness “You better be worth the money, merc.” To... whatever he was doing in the elevator five minutes later. It may just be that his mocap actor was not a 300lb giant with a gun-arm, but his physical expressions are puppeteered and uncanny to me.
I fully acknowledge that my tradition in Laban is very different from the Noh tradition, and when I think of Remake Barret’s (on-and-off) sweep-to-tableau movement style I definitely get Noh vibes, but Noh is a stylized dance tradition that isn’t supposed to be naturalistic, so having one actor in a scene literally dancing while everyone else is moving naturally? Especially when the same character was moving naturalistically just moments ago? Whiplash.
Funnily enough, OG Barret *does* align with Laban philosophy, he is a textbook “slash” style (sudden, fast, light, and direct). In Remake, though, he changes his movement style from scene to scene. The elevator scene is the biggest head scratcher for me, because within the span of a few sentences he glides, wrings, punches, and slashes. I don’t get any sense of the character from his physical performance, which isn’t something I could say about the cartoonish antics of ‘97 Barret.
On the flip side, Cloud’s physical direction, however, is 10000% a home run. His character *is* performative, and his movement is naturalistic but put-on. He wants to stand cool, so he “stands cool.” You could erase his head and mute his dialogue and get such a consistent and telling characterization. Jessie and Wedge are also standout performances.