The ending reminded me of EoE, as well (and kind of Rebuild what with the looping and never ending suffering; on the subject of anime, Twin Peaks as a whole and Revolutionary Girl Utena really strike me as similar, after a fashion). That's well put. Since duality is a major element, I also got the feeling that it tied back into the constant struggle between good and evil somehow.
I agree about FWWM and about season 2 - that season honestly just gets
really bad after the reveal and Laura’s death no longer anchors the show. I can't see being able to sit through those episodes again on a re-watch, especially not after having seen FWWM and The Return. I thought the last episode was a great return to form, though - absolutely wild that it aired on mainstream TV.
Yeah, there were a lot of subplots that didn't really go anywhere. I was a bit surprised Audrey didn’t get more screen time; that would’ve probably bothered me when I first watched the series, but now I only really care about Laura
. My biggest issue with The Return was how silly the fight with BOB and green glove dude was in episode 17, particularly after watching FWWM, and how the movie treats BOB, it was almost like offensively dumb. I’m not too keen on the idea of Sarah Palmer being possessed by some eldritch monstrosity the whole time (prior to Laura’s death), either. Also, as good as Laura Dern is, I didn't really care about Diane all that much, killer nail polish/outfit coordination, though, and the bit before the tulpa reveal was cool. I thought it had a lot of good moments, though, I really enjoyed the things like all the creepy stuff with Sarah Palmer, when Audrey's plot takes a turn for the unsettling, Laura's theme kicking in a few episodes in, Janey-E telling off the loan sharks, the Mitchum Bros, and the small things like the FBI having framed pictures of Kafka and the atomic bomb. I think, besides the surrealism, one of the things sets the original series apart from other shows - and the shows that are typically said to be "like Twin Peaks" - is its eccentric humor and how it managed to switch between those moments, melodrama, and genuine horror (except, of course, in the bad part of season 2, where you just get dumb shit like doorknob Josie), and I was pleased that season 3 had sort of the same kind of thing going on.
Lynch seems like a really interesting guy. I think Showtime had The Art Life up for streaming and I was tempted to watch it when I was subscribing, but I figured I’d probably get more out of it after watching more of his films.