An "entry point" is highly subjective and honestly more a function of the entry's overall quality and ability to hook it's audience into the world it's showcasing. Being an easy, tried-and-true method of introduction is actually not a requirement, otherwise there'd be plenty of series that would have died because they simply never gave themselves entry points that met that. One Piece, Dragonball, Jojo, Star Trek, the list goes on.
For instance, there's almost as many fans of Star Wars who have come into the franchise thanks to the prequels and the Clone Wars series, instead of the original trilogy. The prequels and Clone Wars series were never meant as an "entry point" into Star Wars, but it became that way due to the continued popularity and presence within pop culture. There are a lot of people who know Anakin first, and Vader second instead of the other way around, and it still allows people to get into the original trilogy and love that for what it is.
The Remake is functioning in that respect. People aren't that plused about having this being not a complete 1:1 entry or fully fleshed out explanation of what is present. That's the appeal, and they enjoy the ride for the entertainment and engrossment it gives. That's enough to be a functional entry point that will allow the experience to anchor itself into their consciousness.
Call me cynical, but I don't know how you can see this kind of thing isn't motivated by wanting to create buzz on social media. Without even touching how stupid the execution was, that type of authorial intent is so... corporate. Which is fundamentally at odds with what makes the FF7 the story one worth retelling :/ Obviously, the elements of the story (as Ite laid out so eloquently) are ones that the creators deem as either less important, or not interesting enough of a topic to re-explore as the focus. That is absolutely wild to me.
It's why I am completely opposed to playing into theory-crafting around this title. I feel that by doing so, I am bending into the corporate side of this game - the side where the whole purpose is to generate perpetual buzz for the next title. With a story like FF7, I am sure all of you can understand why I find it all incredibly gross?
That's a statement to it's authenticity and genuine intention to tell a story in a straightforward creative way.
So there's a glaring counterpoint to that. If they really wanted to take the corporate, safer option to maximize profits and exert the least amount of effort to manipulate the audience for cash, they could have simply did the same thing twice, pull out the old script, dust it off, touch it up, call it a day, and rake in the money.
This entire Remake saga is an explicitly
extra and painstakingly convoluted project that requires more genuine creative energy, development and effort than a simple cash-in remake built to simply manipulate and create demand for "product." That is antithetical to any sort of simple merchandising and commercialized affair. You could argue that certain Compilation entries fall under that definition (DC, BC, DC Lost Episode, etc), but going
this far to craft, retool and capture the minutiae storyline details of their fantasy world, go above and beyond what came before in terms of scope, especially when the easier option would be the most profitable, just doesn't fit that definition. Especially in terms of business/profit effort to outcomes. This is not simply a corporate cash in. That would be something like a simple re-release or retelling that goes 1:1, is episodic and changes next to nothing. They did something dramatically wild which they've wanted to do in a passionate way. This is
wildly risky, in terms of branding. They're re-writing their own hot franchise, which could have failed and landed horribly wrong. It didn't, and that's why it's still able to continue. This was not a safe branding bet for the corporate side of Square at all. Independent of the Remake's quality or overall future success, this all clearly is not something that is a result of trying to be more corporately safe. They put the brand on the line.