Oh I agree, I think it's a good think that Shinra is/was trying to do something productive about Meteor. I just think that their should be better motivation/justification for Avalanche to try impede Shinra's Huge Materia quest, because as its stands in the OG the reasoning they gave is rather weak and makes Avalanche look kinda stupid for trying sabotage a viable solution to stopping Meteor.I would not be happy if they changed the plot so that Shinra are no longer trying to do something productive about Meteor. In fact I would not be happy if they reduced the moral ambiguity of all the various agents in any way, such as reducing the casualities of the first reactor bombing, or eliminating Reeve's involvement in Marlene's kidnapping, etc...
If Tifa can survive being submerged in liquid lifestream for half an hour, and if Shera can survive being fried alive by the rocket engines of a launching spaceship, surely Rufus can survive being blasted by shoulder bullets from a gigantic organic semi-sentient WOMD.
All they need do is render it as they did in the original, because the ambiguity is built in.Well in the case of Rufus it was very coherent, which made AC incoherent for bringing him back. I will admit, it isn't really necessary to underline the point, bold it, and have an exclamation point after it....but I don't want them making it ambiguous either, for the sake of maybe bringing him back.
Corneo was still severely injured and permanently crippled by it, though, and he was at least put to good use in "The Kids Are Alright."Speaking of "bringing him back": wasn't also Don Corneo alive in one of the novellas, despite falling to his death in Wutai?
Rufus surviving can make sense with that secret door in the floor narrative, even if unlikely. But the Don? That one bothers me.
All they need do is render it as they did in the original, because the ambiguity is built in.
Even in the original, you can see his reflection on his desk after he's disappeared from sight in the explosion -- it almost looks like he's been blasted backwards over the desk. The explanation about his survival ended up describing things precisely as that.
Corneo was still severely injured and permanently crippled by it, though, and he was at least put to good use in "The Kids Are Alright."
The secret door thing always felt kinda pointless to me. The original scene has him face WEAPON unflinching...and then he scuttles of to hide in his super duper panic room? What does that gain over the Turks just climbing the building and finding him at his desk?
It isn't required that the Huge Materia be lost, though, so this happens either way.Clement said:Re the rocket, I think why they did it is made clear enough afterwards, when they're on the bridge of the Highwind and the Planet starts screaming in pain. Last time they needed Bugenhagen's equipment to hear it, but it was so badly hurt by losing the Huge Materia that it can now just by heard on their airship by themselves.
It isn't required that the Huge Materia be lost, though, so this happens either way.
For me, that sub-plot added a lot to Rufus's characterization, his father's, and their relationship.
It isn't required that the Huge Materia be lost, though, so this happens either way.
True, but then the rocket itself just hurts the Planet futilely?
Wouldn't the blast be bigger for having extracted fewer Huge Materia?Clement said:Maybe we could have multiple outcomes. the More Huge Materia you save, the bigger the blast for Meteor is, but the more damaged the Planet is.
So, do you think that Rufus should get more characterization?
How so?
Wouldn't the blast be bigger for having extracted fewer Huge Materia?
In either case, I like this idea of having multiple outcomes, but it would require a creative incentive to get players to just sacrifice the Huge Materia rather than retrieve it.
I'm confident that he will (because I expect everyone will), but I think what he got in the original game was sufficient.
Actually, I wouldn't mind siblings existing myself....but legitimate ones, so that there is some sort of succession crisis subplot within Shinra or something. Or uncles or cousins or.....
His wife is definitely dead, according to Case of Shinra.
Speaking of 'deaths you don't 100% confirm but were pretty damn strongly implied until AC', what's your guys thoughts on Tseng? If I recall correctly, there was some issue about the translation, the English is something like "I'm done for...", with the Japanese implying he was just badly wounded. But I always thought he was fucked. Like with Rufus, I'm not saying they have to like, show his funeral or something, but I prefer him being 'dead'.