LicoriceAllsorts
Donator
I'd say "slowly" works in a couple of ways. First of all, Zack isn't very bright, and he's deeply personally committed to his view of SOLDIER as heroes and Shinra as "great". One after another he finds himself in situations of creasing moral dubiousness, and the people and institutions he admire increasingly reveal their feet of clay. At first he makes excuses for them, and at first it's easy, but it becomes increasingly more difficult. To some extent, then, the fact that he ends up in one of Hojo's test-tubes is a consequences of his own moral failings, or at least his determination to see Shinra through rose-coloured glasses so as not to have to admit his own errors of judgement.
I'd like to see Zack, at first, being less nice and more selfish. More ruthlessly ambitious, more motivated by money, more toying with Aerith's affections, more shallow in his attachments generally, gregarious and superficial in his use of the word "friend". I'd have loved to see him experience some real growth in chracter as he realises the mistakes he's made, the true depths of his feeling for Aerith, his hopes for starting over and being a better man. And then not getting the chance because the kind of man he wants to be is the kind of man who would sacrifice himself for a comatose invalid who is, at best, an acquaintance.
I agree with everything Ody says.
I'd like to see Zack, at first, being less nice and more selfish. More ruthlessly ambitious, more motivated by money, more toying with Aerith's affections, more shallow in his attachments generally, gregarious and superficial in his use of the word "friend". I'd have loved to see him experience some real growth in chracter as he realises the mistakes he's made, the true depths of his feeling for Aerith, his hopes for starting over and being a better man. And then not getting the chance because the kind of man he wants to be is the kind of man who would sacrifice himself for a comatose invalid who is, at best, an acquaintance.
I agree with everything Ody says.
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