The Twilight Mexican
Ex-SeeD-ingly good
- AKA
- TresDias
Seriously though, I'm just tired of hearing people argue this Cloti/Cleris thing after for 10+ years. So tired. I went to the lifestream.net to read news and updates, and instead I got opinion fobbed off as fact. The comments were filled up, so I expressed my annoyance here. End of story.
Just out of curiosity, do you feel the article was reasoned well enough, or do you see room for improvement? If so, can you point to specific examples? I'm always interested in improving an article if possible.
lentils on lent said:Now then, since people have expressed interest the viability of New Criticism in relation to canon and fandom, I'd like to share this lecture outline I read a while back. I think it makes a very compelling argument on pages 14-16. Because sharing ideas is what this is all about, right?
http://web.mit.edu/comm-forum/mit5/papers/Chaney_Liebler_MIT5.pdf
"The romantic ideal of one lone author creating and having complete interpretive control over his/her own work has been rendered obsolete, if it ever truly existed in the first place. The idea of a closed canon assumes a piece of work is created in a vacuum, excluding issues of public domain, ghostwriters, corporations being able to revive pop culture franchise, the Internet, and of course, fans. With this in mind, pop culture canon is never truly closed; the door is always cracked open. McKee states that:
“canon is never absolute. Its definition is achieved by consensus within various groups, but it is never stable. It is always open to challenge, is different for different groups – and can, of course, change over time. And it is the fans, finally, who make those decisions. It is they who are ultimately the powerful ones."
Now this is absolutely fascinating. Thanks for this.
I've seen little that addresses the idea of canon vs. fanon in a scholarly sense, and this is the only article I've seen to give quite so much attention to the idea of "realness" where the topic is concerned.
In any case, I have to disagree with the notion that "authorial intent and extratextual evidence as canon" is obsolete. It's not so much obsolete as it is a different method of approach that just happens to be older -- and not as enriching.
Despite that, though, there's an unspoken agreement between everyone in a debate like this to defer to that very approach. That's really the only fair way to go about the debate -- and certainly the only way to win, given all the interpretations that would have been taken away from the original work.
There's little point debating whether Character A was in love with Character B or Character C when everyone might have a different notion of what Character A was capable of feeling at a given point in time -- or when different members of the audience actually received different scenes involving those characters because of choices they made previously. That's the main reason why the Gold Saucer date and the Highwind scene were left out of these debates for so many years by everyone on both sides -- the canon versions were uncertain.
If you look back at the history of Final Fantasy discussions, particularly where FFVII is concerned, the goal of each debate, analysis, what-have-you was to make a determination about what the author(s) intended -- what is "real" in the official reality? This approach has been in place among the fandom since before Ultimanias even existed.
They just obviously made that process much easier to comediate.
So while I agree with your sentiments, and find the arguments made within the article to which you linked to be the more attractive, I still feel that where the comediated reality is accepted to be authorial intent and extratextual evidence, that's what you should be discussing if you're interested in participating.
In other words, "when in Rome."
After all, Coordinated Management of Meaning allows for that to be the consensus, comediated reality as legitimately as it allows for something outside the canon to be, does it not? Just because the opportunity to think outside the box is there, so to speak, it doesn't mean everyone has to choose to or that they've not excercised the ability to if they all decide that they like it inside the box.
"You can lead a horse to water," but -- since I'm full of idioms at the moment -- "call a spade a spade." In fan communities, you pretty much have to go in with the acceptance that you will be discussing the official reality. This has been the default for quite some time.
If you're not interested in discussing that, you may well have to forego discussion about what passes for "reality" within the fictional work. At least in that particular community.
Though I can't imagine most being opposed to a thread that asks questions like, "Ignoring canon, what was your interpretation of [fill in the blank]?"
EDIT: Personally, I find lentils on lent's contributions to the thread to be valuable. I might disagree with his/her conclusions, but the process of getting to that disagreement is nonetheless pleasant to the intellectual palate.
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